Zingaro

Entretiens silencieux

Entretiens silencieux

Ex Anima

"For this ultimate creation, I wanted to celebrate them as the true actors of this original “Equestrian Theatre”… To show a ritual without memory, a ceremony where the viewer will see the animal as the mirror of humanity."
Bartabas

They shoot angels, don’t they? (elegies)

Bartabas dedicates this thirteenth opus of its theater Zingaro to the winged Secretaries, to the chubby messengers of God: the angels, who were right to be patient. Because this show is magnificent.
- L’Obs -

Golgota

After "Entr'aperçue" (Entr'aperceived) and "Le Centaure et l'animal" (The Centaur and the animal), the acclaimed French artist returns to the stage in a "mano a mano" with contemporary flamenco dancer Andrés Marín, in a dialogue between man, animal, dance and the silent music of Tomas Luis de Victoria; once again demonstrating that flamenco is living art from which knows no boundaries.

Calacas

As much as a life on the run plan a great departure as fatal as a work of art. - André Velter -

The Centaur and the animal

Guided by man during the long apprenticeship that is dressage, the horse accesses a level of “knowledge”, thus turning man and animal into a centaur. Conversely, man looks to bring back to the surface the animal instinct at the origins of his creation, like a journey back through evolution, a regression back into the deepest layers of his being. - Bartabas -

Darshan

Meaning "sight" or "vision" in Sanskrit, the term Darshan is a practice that consists in glimpsing the divine, such as in the temporary unveiling of the statue of a god or the fleeting contemplation of special deity or holy person.

Lever de Soleil

This is not a show. There is nothing to see and everything to experience.
Bartabas has chosen to share this precious, fragile moment "almost unashamedly": his daily routine with his horses, at dawn.

Battuta

Hymne à la liberté, chant à la gloire du risque et de l'incertitude, Battuta, pur divertissement sans contrainte, déclencheur de plaisir puisé dans la ronde folle de situations absurdes et qui ne se boude pas, prend des prétextes divers pour évoquer dans la dérision, les mille tracasseries qui pourrissent la vie des êtres humains. Ceux-ci paraissent des insectes maladroits et souvent infirmes, parfois parés d'une grâce involontaire ou désuète, à côté des chevaux, coursiers limpides et indifférents qui ne se laissent pas impressionner par les pulsions perturbatrices.

Battuta

"In the energy of the battuta, Bartabas releases, one after the other, the keys to the show and perhaps its enigmas as well, for despite its musical framework, the show is very different from simply being an evocation of Central European gypsies."

Françoise Gründ

Entr’aperçu

"So many things, half-seen, can never be seen."
Victor Segalen - in 'Paintings"

Loungta

“To approach Tibet, even just with imagination or thought, is already an elevation. By exploring a sphere like this one, rendering it with sudden intuitions and transfigured scenes, Bartabas performs a new prodigy.” -- André Velter

Triptyk

For the first time ever, Bartabas has choreographed a dance of horses and riders on composed pieces of music: 'The Rite of Spring' and the 'Symphony of Psalms' by Stravinsky, 'Dialogue de l'Ombre Double' by Pierre Boulez

Eclipse

For Zingaro, every show and every night is only a stage in a long journey. Eclipse shows the ground that has been covered. A new approach: with dancers. A new constraint: that of black and white, shadow and light. And notably a new musical encounter, Shinawi melodies and the stirring voices of Pansori music, instilling into the troupe the ancestral inner strength of Korea, the Land of the Morning Calm. - Bartabas

Chimère

"Chimera"

Opéra Équestre

"Equestrian Opera"

Cabaret équestre

"Equestrian Cabaret"